Charles Bukowski - Post usaascvb.info KB. Charles Bukowski - usaascvb.info MB. Charles Bukowski - usaascvb.info This books (Hollywood [PDF]) Made by Charles Bukowski. Description this book From Charles Bukowski, Hollywood is the fictionalization of his experience adapting his novel Barfly into a movie by the same name. Ecco Books edition, published Hollywood [PDF] From Charles. Read Hollywood by Charles Bukowski for free with a 30 day free trial. Read unlimited* books and audiobooks on the web, iPad, iPhone and Android.
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Editorial Reviews. From Publishers Weekly. Bukowski (The Roominghouse Madrigals) has written over 30 books of poetry and fiction in which he uses the. From iconic tortured artist/everyman Charles Bukowski, Hollywood is the fictionalization of his experience adapting his novel Barfly into a movie by the same. Get Free Read & Download Files Hollywood Charles Bukowski PDF HOLLYWOOD CHARLES BUKOWSKI - In this site isn`t the same as a solution.
A rage welled up inside of the boy, and when he finally broke free, he punched his father in the face. Fortunately, the row eventually subsided without anyone getting seriously hurt, and even had a positive outcome: his father never laid a hand on Hank again. High school ended the way it began for Bukowski, with him on the outside—literally.
In a scene worthy of Hollywood, Hank spent his senior prom alone, gazing at his peers through the gymnasium windows, overlaying the vision of their easy grace and smiling faces with the ugliness of his own reflection in the glass.
For a moment he was able to convince himself his time of happiness would come. Graduation proved equally traumatic. All he wanted was to get out on his own.
He hoped his writing would show the way. Unsure of what else to do, Hank took a stock boy job at a Sears Roebuck, schlepping merchandise to the various departments. It was a lousy fit from the start. His fellow employees were all lifers—sad cases who long ago had given up the dream of anything better or else petty midlevel clerks who enjoyed stepping on the fingers of anyone trying to climb the ladder after them.
In a pattern that repeated itself over and over again for more than a decade, Bukowksi kept the job for a week or so, did something to get himself fired, and then moved on. In the fall of , Bukowksi starting taking Journalism and English courses at Los Angeles City College, with the help of a government scholarship. His parents had long been associated with the Deutsche Haus, a local meeting place for German-Americans located not too far from their home, and his mother had often praised Hitler as a hero to the working class.
The Deutsche Haus had a small bookstore attached to it that featured many German works translated into in English, and it was there that Bukowski apparently discovered Mein Kampf. He must have experienced a powerful attraction to this fellow outcast and misanthrope, whose own father had also tried to dictate his future and was constantly full of criticism.
In later years, he characterized his Nazi sympathies as merely a continuation of his anti-conformist streak, coupled with a desire to shock the status quo; but like everything else that came out of his mouth or his typewriter, these rationalizations should be taken with a grain of salt.
Ask the Dusk was a particular favorite and remained one of the few works that Bukowski continued to praise long after he lost faith in the latter-day works of better-known writers like Hemingway and Henry Miller. Despite this growing love for literature, Bukowski continued to be an indifferent student at City College. School authorities put him on academic probation and threatened to take away his scholarship.
There were exceptions, when words and ideas flowed out of him spontaneously, almost involuntarily. He remembered one writing class in which he was assigned one piece per week; by the end of the term he had easily surpassed the quota, submitting dozens more than any other student. On the whole, however, he disliked his professors, whom he considered leftist egotistical bores.
He became friends with a few classmates, among them fellow writer Robert Stanton Baume, whose short fiction Hank enjoyed, and Robert and Beverly Knox, who contradict the monolithic image of wild man Bukowski by describing him during these formative years as shy and civil. Hank dreamed of becoming a professional writer but lacked any clear idea of how to make that dream a reality. The Bukowskis even bought their son a typewriter to help with his coursework. That brief period of support came to a dramatic end one day when Hank ran into his mother on his way home from class.
Katherine was in quite a state. Instead of being scared, Hank was incensed by the news and rushed home for the inevitable showdown. Seeing his things strewn helter-skelter across the lawn he so hated to trim only angered him all the more, and Bukowski called for his father to come out and fight him like a man. When his father never materialized, Hank collected his things, borrowed a little money from his mother, and found a cheap room downtown on Temple Street.
Finally free of his parents, Hank discovered other ways of getting in trouble. The freewheeling fight only ended when the marine knocked Bukowski out cold, and Hank awoke the next morning to find his alarmed landlady calling to him from behind the door. Hank ignored her entreaties and she finally went away, but when he next emerged from his room he found a handyman on apparent sentry duty pretending to pound nails into the carpet.
Paranoid he had been set up for some kind of ambush, Bukowski packed what little he had and grabbed his typewriter, but when he tried to leave the handyman got in his way and asked him where he thought he was going.
The only place he could think to go was Bunker Hill, the sketchy neighborhood John Fante had immortalized in Ask the Dust and a haven for people trying not to be found. Bukowski rented a room there and tried to plot his next move.
He could not have known it at the time, but his life among the drunks, the hookers, and the dispossessed had only just begun. He was a stranger. My mother was nonexistent.
I was cursed. Looking at my father I saw nothing but indecent dullness For the next six months he eked out a living at a couple dead-end jobs like cleaning the sides of boxcars with other young roustabouts at the Southern Pacific railroad yards. Another encounter with college pal Robert Baume ended with the pair barhopping downtown until a news bulletin broke over a transistor radio and informed them the Japanese had just bombed Pearl Harbor.
To his way of thinking, military duty demanded a mindless enslavement. After accompanying Baume to the bus station, Bukowski said goodbye to his friend for the last time; Baume was later killed in the Pacific during his tour. Fed up, Hank decided he had to get out of L. He saved some money from his job at the train yards and caught a bus to New Orleans in early , with the idea of gaining some real-world experience to ground his writing.
En route he met a pretty redhead named Dulcey Ditmore who showed enough interest in him to suggest he stop off awhile in her hometown of Fort Worth. Bukowski declined at first and they parted ways, but fellow passengers on the bus laid into him for throwing away a chance at love and Hank eventually acquiesced, getting off in Dallas, backtracking through Texas, and ultimately finding Dulcey with the help of a story-hungry newspaper columnist.
The reunion turned sour, though, when Dulcey revealed she was engaged to a guy in the navy and began proselytizing Hank with talk about the helping hand of God. Hank split town almost immediately, but his desperate need for companionship is evidenced by the fact that he continued to write Dulcey for some time thereafter.
In New Orleans Hank found cheap housing and a job at a magazine distributor, packing and verifying orders. The work was dull and the pay meager and once again he lasted just long enough to make some money for rent. With the exception of one other short stint setting type at a local newspaper, Hank spent the rest of his time in New Orleans writing in his room and occasionally submitting stories to magazines in New York.
All were rejected but sometimes the responses contained a few words of encouragement that helped sustain him. Evidently that life of simple anonymity was not enough to keep him in the Big Easy, though, because Bukowski made plans a few months later to head back to California by joining a railroad crew bound for Sacramento.
Bolstered by such examples, and a confidence born of his self-sustainment, however tenuous, Bukowski could return to California not as a failed wanderer but as a man who had reaffirmed his prime directive. His mother apparently welcomed him back but his father threatened to charge him rent and Hank continued to provoke him with drunken, late-night disturbances.
Another short-lived job at an auto parts warehouse earned Hank enough to move to San Francisco in the spring of , where he found much more tolerable work driving for the Red Cross. The Bay Area also afforded him a nice place to live, in a rooming house with a view of the Golden Gate Bridge and a charitable landlady who kept cold beers on hand for him and offered him unlimited use of her gramophone to play the classical records he swapped at a second hand store.
All in all it was the sweetest set up he had found yet, but good or bad, Hank could not seem to get it together—he blew it by showing up late to work one day. In a St. Louis basement he stuffed boxes full of ladies dresses. In New York he took another stock boy job and shivered in his West Coast clothes. In Philadelphia he worked as a shipping clerk for Fairmount Motor Products and, when that gig ended, survived by gophering for fellow lushes in a downtown bar, placing their bets with bookies, making lunchtime runs to the deli, and perpetually picking fights with a hulking barback named Frank McGilligan.
Inevitably Bukowski took a beating but his indomitable spunk always earned him a few drinks and the respect of the bar. Nearly a half-century later, this last locale would serve as the setting for Barfly, the film Barbet Schroeder directed from a script by Bukowski see Chapter Seven.
The first was important not so much because it was memorable or sensual but because it lifted Hank over the hump so to speak of his unchecked insecurity and augured the onset of a late-blooming virility potent enough to transform him from ugly duckling to veritable womanizer. By all accounts the lucky lady was a fat girl in Philadelphia who was just intrigued enough by his inebriated entreaties to let him have his way. Despite her girth and homely looks, Bukowski was still so convinced of his own repulsiveness that he offered her money the following morning.
Whether she was in fact a prostitute remains somewhat unclear, though she quickly became one in the stories he told of the experience. Despite a growing collection of rejection slips, Hank set his sights high and doggedly continued to submit his stories to some of the most prestigious magazines in the country, like The Atlantic Monthly and Story.
He also felt compelled to expunge any connection to his father. Like most struggling writers, Bukowski was elated beyond all proportion by his first publication and was soon envisioning a major breakthrough. Convinced it had only been accepted as a lark, to dam his flood of submissions, Hank never sent anything to Story or corresponded with Whit Burnett again. The compositional slight accompanying his first publication was nothing compared to the trouble that found Bukowski when the law came looking.
He merely failed to keep the authorities properly appraised of his whereabouts.
Bukowski was sent to Moyamensing Prison, a gothic detention center in Philadelphia for debtors and men awaiting trial that had once held Edgar Allan Poe. Because it was low-security and housed no violent criminals, he had a relatively easy time behind bars. After complaining about the teeming bed bugs, Hank was later paired with another inmate who apparently went by the name of Tara Bubba.
The results of his second psychological examination also remain ambiguous. Regardless of these minor inconsistencies, the outcomes were the same: a second reprieve from military duty, an increased disconnect with society at large, and a couple of great stories to tell.
Oddly enough, Bukowski responded to these significant life events by putting a virtual moratorium on his writing for nearly ten years and sinking even further into alcoholism and depression. As Sounes has shown, there is proof to the contrary, albeit spotty, in his publishing record. Presaging the style and content of his many works to come, the poems were gritty and laconic, the stories autobiographical sketches of a man named Chelaski, just a few letters different from his later pseudonym, Henry Chinaski.
Hank got a room downtown, within walking distance of the bar, and one night he spied an older blond sitting solo and looking melancholy. Hank was immediately attracted to her tragic bearing and slightly faded good looks. That his come-ons were met with a hard-edged indifference and a weary fatalism only increased his interest, and it did not hurt that she was every bit the boozer he was and willing to sleep with him the night they met. Ten years his senior, Jane was already well on her way to alcoholic oblivion by the time she met Charles Bukowski.
Traumatized by the early demise of her father, impregnated and married just out of high school in that order , widowed by the drunk-driving death of a man who may or may not have divorced her just before he died, and too drunk and despondent to care for her two children, Jane Baker put to shame any claims Bukowski made to having lived a hard life.
Given her background, it was no wonder, really, that she drank to forget her troubles, that she had a violent streak, and that her antics often edged close to outright dementia.
Nor it is any great mystery what drew them together. That the cops were occasionally called in to intercede probably helped them on that score. Hank and Jane shacked up together in a series of apartments downtown, on at least one occasion posing as a married couple to secure a lease. By all accounts their relationship had a surfeit of passion, swinging wildly from heated arguments to equally incendiary lovemaking. It would be over-reaching, though, to characterize all their time together as contentious and debased.
Even a cursory review of the poems and stories that Bukowski wrote about his time with Jane contain as many instances of humor, hard-won grace, and underdog solidarity as they do squalor and indignity. Jane even worked for a time to help ends meet, and Bukowski would lovingly prepare a bath for her when she got home. In early , Bukowski finally found a stable source of income, in the unlikeliest of places: the post office.
A two-week temp assignment helping out with the Christmas excess in led to him being hired full-time a year and a half later, and Hank stuck with the job for the next three. The irony of becoming a cog in one of the largest bureaucratic machines of all was not lost on Hank, but he found the work soft, at least until he had to interact with his coworkers. In any case, something about the mail suited him because future stints working for the United States Postal Service would run even longer and ultimately produce Post Office, his first novel.
Lacking insurance or savings, he was taken to the charity ward of Los Angeles County Hospital and spent a terrible night in a room full of equally forsaken men before an X-ray was taken. The news was not good. Bukowski had a bleeding ulcer and without a blood transfusion would likely die. A nurse even suggested he call in a priest.
The problem was, he only qualified for a transfusion if he could prove he or someone in his family had donated. In some families, and most literature, the resultant scene in the hospital would have played out like a hymn to redemption and forgiveness, with father and son burying the hatchet and forging a new bond. But the animosity between them ran too deep, and there would be no reconciliation with his father, then or thereafter. The way Bukowski remembered it, they nearly came to blows in his recovery room.
He was released from the hospital with the admonition that he would die if he ever drank again. Greatly weakened and once again chafing under the yolk of an anal, unsympathetic supervisor, Bukowski resigned from his job at the post office and began to write with increased prolificacy. Poems began pouring out of him at a rapid clip.
He did not, however, stop drinking. Even if he had wanted to, living with Jane would have made that impossible. Tentative sessions brought on no more physical breakdowns and so he dove back into the bottle as if nothing had ever happened. Losing his post office pay meant Bukowski had to find another source of income. Apparently it was Jane who suggested the horsetrack.
Bukowski barely knew of its existence, let alone how to bet, but nevertheless one day they set out for Hollywood Park and within a few hours Bukowski was already devising a system. Characteristically, it was based on betting against the majority. Uncharacteristically, luck was on his side, and they had three winners in the first day alone, one of which brought home fifty dollars.
Bukowski was hooked.
They served liquor at the track, and that, combined with the thrill of the races and his continued winning streak, all but sealed his fate as an inveterate horse gambler. His relationship with Jane took a downswing when she began to accuse him of cheating on her and then her daughter arrived out of nowhere, pregnant and in need of care and a place to stay. Black Sparrow Press, He ought to be. The momentum of the Hollywood dealmaking process contains a nastiness that dwarfs the personality of even the most powerful player.
And Bukowski has made a career out of celebrating the small-time nastiness of his alter-ego and by-now-familiar character Chinaski. Like Bukowskihimself, Chinaski isa minor cult figure—a blowhard writer and self-proclaimed alcoholic well-acquainted with L. The plot of Hollywood recounts the making of a movie that sounds virtually identical to Barfly. Selling out is probably the oldest—and therefore the most treacherous— theme in the history of the Hollywood novel.
The most affecting moments in Hollywood are those that occur on a small scale. Chinaski runs from a barroom crowd of his biker fans, unable to respond to their need for an encounter with him.
He placed his chips, pushed the button, said, It is my Lady with the Spinning Head. I am in love. And his system works, said Jon, but when he gets to the casinos he does not always stay with his system. He has won and lost hundreds of thousands, Jon told us.
The only time he wants to be an actor is when he is dead broke. By the way, said Jon, I have talked to the producer Harold Pheasant and he is very interested in the screenplay. He is ready to back it as a movie. Harold Pheasant! It was a nice screening room. Off to one side was a fairly large bar, with bartender. The screening room even came with a projectionist. There were 7 or 8 people at the bar. Jon was off setting up the film with the projectionist. I was to find out he was Wenner Zergog, the noted German filmmaker.
Sarah and I followed him into the screening room. Some of the others at the bar came along, including Wenner and his lady companion. We seated ourselves and Jon told us, That was Wenner Zergog at the bar. Last week he and his wife had a pistol fight, they emptied their guns at each other, hitting nothing….
Lido Mamin was a large man, in size and ambition, but his country was poor and small. With the big countries he played his cards both Left and Right, bargaining and counter-bargaining with both factions for money, food, weapons.
But, actually, he wanted to rule the world. He was a bloody bastard with a marvelous sense of humor. He realized that, basically, all life was worthless, except his. Anybody the least suspect in his country was quickly murdered and dumped into the river. There were so many bodies floating in the river that the crocodiles became bloated and could eat no more.
Lido Mamin loved the camera.
Pinchot had had Mamin stage a council meeting for the camera. His underlings sat before him trembling as Mamin asked questions, made statements of policy. He grinned continually, showing huge yellow teeth. He had a dozen or more wives and more children than he could remember.
At times, during the council meeting, he stopped smiling, his face became the Will of God, he could do anything, and might. He could sense the fear of his cohorts and he delighted in and used that fear.
Then he called a meeting of all the doctors in the country. He assembled them at the main hospital, in the huge operating room, and they sat in the seats that circled above and Mamin stood down there in the center and spoke to them. You think you know certain things but this is an illusion. You are only trained in one small area. Let that training be useful to our country and not to yourselves. We live in a world where only the final survivors will be proven right.
I will tell you how to use your surgical tools and your lives. Please do not be foolish and go against my wishes. I do not wish to waste your education and your skill. You must always remember that you know only what you have been taught. I know more than what is taught. Do you understand me? Please, continued Mamin, is there anybody who wishes to counter what I have just said?
Next, for the camera, Lido Mamin showed off his Air Force. Not yet. But he had the aviators and the uniforms. The first aviator came running down a long row of boards. He ran very swiftly. Then when he reached the end of the runway of boards he leaped into the air and flapped his arms. Then landed. There must have been 14 or 15 aviators. As each one leaped he gave a little yell and upon each face there was laughter and elation.
It was very strange after you got the feeling of it: As foolish as this must look, it is very important. What we do not have in actuality, we are ready for in spirit. Someday we will have our Air Force.
Meanwhile, we do not sulk in shadows of unbelief. Thank you very much. Then there were some interior shots of the torture chambers. Nobody in them. But there was dung. Blood on the walls.
The final scene was of Mamin in a huge garden with many body-guards, with all his wives and all his children. They faced the camera silently as did the bodyguards. All the wives smiled, some of them holding babies. Lido Mamin smiled, showing his big yellow teeth. He looked very likeable, maybe even loveable. The final shot was of the river of fat crocodiles. They just floated, vastly overweight and listless, eyes just rolling a bit as the bodies drifted by. He had evidently drunk a great deal of wine.
His face was quite flushed and he had a large stack of chips in front of him. A huge ash was about to drop off the end of his cigar. It fell to the table. You ought to come to Paris, he said to me, you are well-regarded there. Your own country treats you like an outcast.
You come to Paris. Jon lit a cigar. The cigars were long and round and made sizzling sounds at the lighted end. This action might not be possible to undo. Are you sure you want to continue? Upload Sign In Join. Home Books Contemporary Fiction. Save For Later. Create a List. Hollywood by Charles Bukowski. Read on the Scribd mobile app Download the free Scribd mobile app to read anytime, anywhere. HarperCollins Released: Mar 17, ISBN: Book Preview Hollywood - Charles Bukowski.
Publisher 1 A couple of days later Pinchot phoned. Will you stop worrying about your soul? Sarah responded. No need to lock the Volks. I was the only one who could start it.
We were at the door.