in the informational content contained in this guide. recommends that you use the PDF version of product Help if you want to stay offline. Premiere Pro CS4, in combination with AdobeOnLocation CS4, and Adobe. During post-production, use Adobe Premiere Pro CS4 software to create high- .. auditing, and many other formerly tedious manual tasks in Adobe Premiere Pro CS4 and . Flash web galleries, and PDF contact sheets. This user guide is licensed for use under the terms of the Creative Commons Attribution . Importing from After Effects and Adobe Premiere Pro. recommends that you use the PDF version of product Help if you want to stay offline.
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Using ADOBE PREMIERE PRO CS4 Chapter 1: Resources Installation, activation, and registration. Help and support. Services, downloads, and extras. Size Report. DOWNLOAD PDF Adobe Premiere Pro CS4: Das Praxisbuch mit zahlreichen Workshops. Read more usaascvb.info - Le guide complet. ADOBE - INDESIGN CS4 USER MANUAL Pdf Download. In this comprehensive two-day Adobe Premiere Pro training course, AGI's expert instructors.
You can use floating windows to use a secondary monitor, or to create workspaces like the workspaces in earlier versions of Adobe applications. Undock Panel Group undocks the panel group. When you release the mouse button, the panel or group appears in a new floating window. Drag the panel or group outside the application window. If the application window is maximized, drag the panel to the Windows taskbar. When you position the pointer over dividers between panel groups, resize icons appear.
When you drag these icons, all groups that share the divider are resized. For example, suppose that your workspace contains three panel groups stacked vertically. To quickly maximize a panel beneath the pointer, press the accent key. Do not press Shift. Press the accent key again to return the panel to its original size. When you close a panel group in the application window, the other groups resize to use the newly available space.
When you close a floating window, the panels within it close, too. Hover the cursor above the tab area, and turn the mouse scroll wheel. Scrolling brings each panel to the front, one after another.
To increase the available screen space, use multiple monitors. When you work with multiple monitors, the application window appears on one monitor, and you place floating windows on the second monitor.
Monitor configurations are stored in the workspace. You can lower the brightness, as when working in a darkened editing suite or when making color corrections. Overview of the interface. Workspaces Search. Adobe Premiere Pro User Guide.
Select an article: Applies to: Adobe Premiere Pro. Is your Premiere Pro workspace set up the way you want? Use predefined workspaces or customize a workspace in a layout that best suits your working style.
Example workspace. Navigate and use the Home screen. The Premiere Pro home screen when you first launch it.
The Premiere Pro Home screen after you have created and saved some projects. Tutorials in Premiere Pro. Import a workspace with a project. Customizing workspaces. Choose a workspace. The Overflow menu includes workspace layouts that are not displayed in the Workspace panel.
Drag the vertical divider next to the Chevron icon to control whether a workspace is displayed or hidden in the overflow menu. You can also open a Workspace from the Window menu: Modify the order of workspaces or delete workspaces. Click the Workspace menu icon, which appears next to the currently active workspace. In the Workspace menu that is displayed, click Edit Workspaces.
To revert any change that you made, click Cancel. Save or reset workspaces. Save a custom workspace. Arrange the groups and panels as desired, and then do one of the following: Click the Workspace menu icon and select Save as New Workspace. Save changes to default workspaces. To save the changes made to default workspaces, do one of the following: Reset a workspace.
Reset the current workspace to return to its original, saved layout of panels. Do one of the following: Click the Workspace menu icon and select Reset to Saved Layout.
Dock, group, or float panels. Docking zones. Dragging panel A onto docking zone B to dock it C. Grouping zones. Dragging panel A onto grouping zone B to group it with existing panels C.
Dock or group panels. If the panel you want to dock or group is not visible, choose it from the Window menu. Press the Ctrl key while dragging the panel to make the panel free-floating. Undock a panel in a floating window. Resize panel groups.
Do either of the following:. To resize either horizontally or vertically, position the pointer between two panel groups. Tempo-Based Detection Beats in the Editor panel To display beats as simple lines without orange semicircles, deselect Use Gradients in the Appearance preferences.
Undo And Redo Use the panel to quickly compare processed and original audio or discard a series of changes that produced undesired results. History states disappear when you reopen a file, but if you save to Adobe Sound ASND format, you can always revert to history snapshots.
Select the snapshot from the Name menu, and click OK. Chapter 6: Effects Chapter 6: Effects Effects optimize and enhance audio, giving your projects a polished, professional sound. Applying effects Preview and apply effects Soundbooth lets you apply up to five effects at once, using an effects rack.
Prior to applying a rack, you can preview it, and then customize, bypass, or remove individual effects. Preset options for entire rack B. Tape and Mode Tube reflect the sonic character of vintage delay units, while Analog reflects later electronic delay lines.
Determines the level of original, unprocessed audio. Dry Out Determines the level of delayed, processed audio. Compression is particularly effective for voice-overs, because it helps the speaker stand out over musical soundtracks and background audio. For examples of highly-compressed audio, listen to recordings of modern pop music. By contrast, most jazz recordings are lightly compressed, while typical classical recordings feature no compression at all.
The larger the percentage, the longer the Room Size reverb. Reduces low-frequency, bass-heavy components in reverb, avoiding muddiness and producing a clearer, Damping LF more articulate sound. As a compressor and limiter, this effect reduces dynamic range, producing consistent volume levels. As an expander, it increases dynamic range by reducing the level of low-level signals. Standard settings Controls a shelving EQ centered at Hz. Controls a peaking EQ at Hz.
Low Q values up to 3 affect a larger range of frequencies and are best for overall audio enhancement. High Q values 6—12 affect a very narrow band and are ideal for removing a particular, problematic frequency, like Hz hum. Amount Advanced settings Specifies the number of phase-shifting filters. A higher setting produces denser phasing effects. Stages Determines the amount of phase-shifting applied to the signal. Intensity Determines how far the filters travel below the upper frequency. Chapter 7: Multitrack Mixing And Editing Chapter 7: Multitrack mixing and editing Multitrack files let you mix together multiple audio files and scores, quickly creating sophisticated soundtracks for video and Adobe Flash.
For a video about multitrack mixing, see www. Page 63 Select the track. If you insert the same audio file multiple times, Soundbooth copies the file for each clip. Page 64 Navigate to the media file, and click Open. Offline media messages A.
Video panel B. Master Volume B. Track Mute and Solo C. Track Volume D. Keyframes change audio volume and score parameters over time. Customizing Scores 49 Customizing scores With scores, anyone can create compelling music and atmospheric soundtracks for video and Adobe Flash.
Choose from dozens of score templates in a wide variety of styles, and then customize compositions for specific projects. Automate parameters such as Intensity and Melody with keyframes, creating dynamic soundtracks that evolve over time. Saving and mixing down multitrack files Saving multitrack files Soundbooth saves multitrack files in Adobe Sound ASND format, which stores history snapshots and lets you readjust trimming and effects.
Chapter 8: Set properties for cue points In the Markers panel, select a marker, and expand the Marker Details section. Import the resulting XML file in Soundbooth if you want to adjust the corresponding markers in media files. Any changes you make in the video applications automatically appear in Soundbooth, without any rendering or saving.
The Cut, Delete, and Crop commands do the same. By default, the Video panel appears when you open a video file. Chapter 9: Saving audio and video files Adobe Soundbooth offers a comprehensive set of file formats that support a wide variety of output types, ranging from the web to high-definition video. When you want to share files with a broader range of applications, such as disc-burning utilities, save to the WAV or AIF formats.
Save to the compressed mp3 and AAC formats only when creating files for the web or portable media players. Choose a format optimized for the output type: For new multitrack files, determines the time range initially visible in the Editor panel. This dialog box lets you access the wide array of export options provided by the Adobe Media Encoder.
Page 81 When you export a movie file to many formats, you can crop the image, or apply certain filters. By applying the filter settings before encoding, Adobe Media Encoder ensures the highest quality output. You can also specify post-encoding tasks, such as generating a log file or uploading the exported file to a specified server automatically.
Page 82 Note: You can access the Gaussian Blur filter option a pre-encoding task by selecting the Filters tab. Automatic deinterlacing Adobe Media Encoder deinterlaces video before encoding whenever you choose to encode an interlaced source to a noninterlaced output. Crop the source before encoding In the Export Settings dialog box, select the Source tab. Page 83 Saving audio and video files Presets for export settings When exporting with Adobe Media Encoder, choosing a format automatically makes available a list of associated presets designed for particular delivery scenarios.
Selecting a preset, in turn, activates the appropriate options in the various settings tabs Video, Audio, and so on. Page 84 Note: You can remove noise and grain from a project for reasons other than improved encoding and reduction of compressed file size.
Page 85 Enables encoding with alpha transparency, which lets you encode video with the background Encode Alpha Channel removed so you can overlay the subject of the video on top of other Flash content. Selecting this option can save disk space for sequences and clips containing still images. Page 87 By having the Parametric Stereo information coupled with the mono audio stream, the decoder can regenerate a faithful spatial approximation of the original stereo panorama using very low bitrates.
Page 88 Specify how many audio channels are in the exported file. If you choose fewer channels Channels or Output Channels than are in the master track of a sequence or project, Adobe Media Encoder downmixes the audio. Choose a higher bit depth to increase accuracy of audio samples. Higher bit depth can improve dynamic Sample Type range and reduce distortion, especially if you add additional processing, such as filtering or resampling.
FTP is a common method for transferring files over a network and is especially useful for sharing relatively large files using an Internet connection.
Optional some tabs, such as the Description tab, contain a menu offering a selection of template metadata, such as various types of copyright data.
Chapter Keyboard Shortcuts Chapter Keyboard shortcuts Keyboard shortcuts help you speed up the editing process. Digital Audio Glossary Chapter Digital audio glossary The glossary is your guide to unfamiliar terms in common audio workflows and multiple Adobe Soundbooth features.
Common audio terms analog-to-digital converter The hardware that converts an analog audio or video signal into a digital signal that you can process with a computer. For example, a compressor can compensate for variations in level caused by a vocalist who occasionally moves away from a microphone.
In Soundbooth, you adjust spectral resolution by specifying different FFT sample sizes. For example, audio CDs use a sample rate of 44, Hz because the resulting Nyquist frequency is 22, Hz—just above the limit of human hearing, 20, Hz. Sound cards can be built into the sound card computer motherboard, added as an internal card, or connected via an external USB or FireWire device. A wave of air molecules. Index 1 repairing 42 indicators in meters 30 ADC, defined 90 trimming 38 closing files 73 Adobe After Effects, editing audio from 68 audio blocks.
See audio interleaving codec Adobe Bridge 20 audio export settings 84 defined Page Dynamics effect 54 workflow 67 latency, defined 92 floating windows 11 layered channels, viewing 33 FLV format levels Edit In Adobe Soundbooth command 68 about 74 adjusting 22 editing audio.
See specific editing tasks options for 76 monitoring 30 Editor panel Page 23 noise gate, defined 92 transport 29 sample, defined 93 Premiere. See Adobe Premiere Pro saving audio and video files 72 removing individual sounds 44 preroll and postroll 29 Scale To Fit option 78 removing throughout file or selection This manual also for: Soundbooth cs4.
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