Adobe after effects cs4 classroom in a book dvd


 

Adobe After Effects CS4 Classroom in a Book this book-and-DVD package mimics a real-world workflow - but one that readers tackle at their. Adobe After Effects CS4 Classroom in a Book. View Larger Image If you are able to search the book, search for "Where are the lesson files?" · Go to the very. usaascvb.info - download Adobe After Effects CS4 Classroom in a Book book online at best The DVD contains all the lesson files and footage readers need to complete.

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Adobe After Effects Cs4 Classroom In A Book Dvd

Adobe After Effects CS4 Classroom in a Book by Adobe Creative Team, that's broken down into manageable lessons, this book-and-DVD package mimics a. Adobe After Effects CS4 Classroom in a Book [Adobe Creative Team] on site .com. *FREE* shipping on qualifying offers. Visual effects and motion graphics. [ ADOBE AFTER EFFECTS CS4 [WITH DVD ROM] (CLASSROOM IN A BOOK ( ADOBE)) - GREENLIGHT ] By Adobe Creative Team (Author) [ Paperback ] .

How do series work? To create a series or add a work to it, go to a "work" page. The "Common Knowledge" section now includes a "Series" field. Enter the name of the series to add the book to it. Works can belong to more than one series. In some cases, as with Chronicles of Narnia , disagreements about order necessitate the creation of more than one series. Tip: If the series has an order, add a number or other descriptor in parenthesis after the series title eg. By default, it sorts by the number, or alphabetically if there is no number. If you want to force a particular order, use the character to divide the number and the descriptor. So, " 0 prequel " sorts by 0 under the label "prequel. Series was designed to cover groups of books generally understood as such see Wikipedia: Book series. Like many concepts in the book world, "series" is a somewhat fluid and contested notion. A good rule of thumb is that series have a conventional name and are intentional creations, on the part of the author or publisher. For now, avoid forcing the issue with mere "lists" of works possessing an arbitrary shared characteristic, such as relating to a particular place. Avoid series that cross authors, unless the authors were or became aware of the series identification eg.

Home Contact us Help Free delivery worldwide. Free delivery worldwide. Bestselling Series. Harry Potter. Popular Features. New Releases. Description Visual effects and motion graphics pros of all stripes - from broadcast professionals to VFX supervisors to Web designers who need to produce occasional video segments - will welcome the dramatically accelerated features provided in the brand-new After Effects CS4.

This best-selling book has been revised to cover all that's new in this upgrade: Designed around a single complex project that's broken down into manageable lessons, this book-and-DVD package mimics a real-world workflow - but one that readers tackle at their own pace.

The DVD contains all the lesson files and footage readers need to complete the lessons. Creating Compositions in Device Central. Get unlimited day access to over 30, books about UX design, leadership, project management, teams, agile development, analytics, core programming, and so much more.

All rights reserved. Join Sign In. View Larger Image. Part of the Classroom in a Book series. Book Sorry, this book is no longer in print.

If no text is highlighted and no text layers are selected, the changes you make in the Character panel become the new defaults for the next text entry. To select a font quickly, begin typing its name in the Font Family box. Using the Paragraph panel Use the Paragraph panel to set options that apply to entire paragraphs, such as alignment, indentation, and leading. For point text, each line is a separate paragraph. You can use the Paragraph panel to set formatting options for a single paragraph, multiple paragraphs, or all paragraphs in a text layer.

This aligns horizontal text to the center of the layer, not to the center of the composition. This scales the layer to fit it to the width of the composition.

Now, you can position the text layer using a grid. Press Shift after you start dragging to constrain the movement and help you position the text. The easiest way to do that is to use one of the many animation presets that come with After Effects. After applying an animation preset, you can customize it and save it to use again in other projects.

After Effects applies animation presets from the current time. To help you choose the right animation preset for your projects, you can preview them in Adobe Bridge. Adobe Bridge opens and displays the contents of the After Effects Presets folder.

Adobe Bridge plays a sample of the animation in the Preview panel. After Effects applies the preset to the selected layer, which is the The Pond layer. Leave Adobe Bridge open in the background. Nothing appears to change in the composition. This is because at 0: Previewing a range of frames Now, preview the animation.

Although the composition is 10 seconds long, you only need to preview the first few seconds, which is where the text animation occurs.

The letters appear to evaporate into the background. It looks great—but you want the letters to fade in and remain onscreen, not disappear into the murky depths of the pond.

So you will customize the preset to suit your needs. Customizing an animation preset After you apply an animation preset to a layer, all of its properties and keyframes are listed in the Timeline panel.

The Offset property specifies how much to offset the start and end of the selection. If you press U twice UU , After Effects displays all modified properties for the layer, instead of only the animated properties. This command switches the order of the two Offset keyframes so that the letters are invisible at the beginning of the composition, and then emerge into view.

The letters now fade into rather than disappear from the composition. After Effects adds a new Scale keyframe at the current time. The scale animation ends shortly before 5: The movie title fades in and then scales to a smaller size. Adding Easy Ease The beginning and end of the scale animation are rather abrupt. In nature, nothing comes to an absolute stop. Instead, objects ease into and out of starting and stopping points.

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The keyframe becomes a leftpointing icon. The keyframe becomes a right-pointing icon. Animating using parenting The next task is to make it appear as if the virtual camera is zooming away from the composition. The text scale animation you just applied gets you halfway there, but you need to animate the scale of the lotus flower, as well.

The Pond. This sets the The Pond text layer as the parent of the Lotus layer, which in turn becomes the child layer. As the child layer, the Lotus layer inherits the Scale keyframes of its parent layer The Pond. Not only is this a quick way to animate the lotus flower, but it also ensures that the lotus flower scales at the same rate and by the same amount as the text layer.

Both the text and the lotus flower scale down in size, making it seem like the camera is zooming away from the scene. Creating a parenting relationship between layers synchronizes the changes in the parent layer with the corresponding transformation values of the child layers, except opacity.

For example, if a parent layer moves 5 pixels to the right of its starting position, then the child layer also moves 5 pixels to the right of its starting position. A layer can have only one parent, but a layer can be a parent to any number of 2D or 3D layers within the same composition. Parenting layers is useful for creating complex animations such as linking the movements of a marionette, or depicting the orbits of planets in the solar system.

For more on parent and child layers, see After Effects Help. Animating imported Photoshop text If all text animations involved just two short words, such as The Pond, life would be easy. But in the real world, you must often work with longer blocks of text, and they can be tedious to enter manually.

Fortunately, After Effects lets you import text from Photoshop or Illustrator. You can preserve text layers and edit and animate them in After Effects. The imported file is added as a composition to the Project panel; its layers are added in a separate folder.

Because you imported the credits. Click OK if you see a warning about missing fonts.

Classroom in a Book series updated for CS4 | Peachpit

Now the text layers can be edited, and you can fix the typos. Then, change the k to a c in documentary. The layer name does not change in the Timeline panel when you correct the spelling in the layer.

This is because the original layer name was created in Photoshop. We used Myriad Pro. Leave all other settings as they are. Animating the subtitle You want the letters of the subtitle, an animated documentary, to fade onscreen from left to right under the movie title.

The easiest way to do this is to use another text animation preset. At that point, the title and lotus have finished scaling to their final size. This will work nicely. You should see two keyframes for Range Selector 1 Start: You still have a lot of animation to do in this composition, so you will speed up the effect by 1 second. After Effects includes several animation presets that animate text along a prebuilt path. These presets also provide placeholder text with formatting when you apply them, so in this exercise, you will enter and format your text after you apply the animation preset.

Adobe Bridge returns you to After Effects, where the preset automatically creates a new layer, pipes, with a predefined path that zigzags across the composition. The text on the path is obscured by the movie title. Customizing the preset path Now, you need to change the placeholder word pipes to directed by.

After Effects switches to the Horizontal Type tool and selects the word pipes in the Composition panel. After Effects updates the Timeline panel with the new layer name. You may find it easiest to use the arrow keys. By animating tracking, you can make words appear to expand outward as they appear onscreen from a central point. Before you animate it, change it to your own name. Currently, the text is onscreen for the duration of the composition. That will change once you animate it.

Use a first, middle, and last name so that you have a nice long string of text to animate. Then, double-click it to apply it to the selected layer in the Timeline panel. The animation should also occur faster. The letters expand as they appear onscreen and stop animating at the last keyframe. Then, click the stopwatch icon to set an Opacity keyframe. After Effects adds a second keyframe.

Using a text animator group Text animator groups let you animate individual letters within a block of text in a layer. About text animator groups A text animator group includes one or more selectors and one or more animator properties. A selector is like a mask—it specifies which characters or section of a text layer you want an animator property to affect.

Using a selector, you can define a percentage of the text, specific characters in the text, or a specific range of text. Using a combination of animator properties and selectors, you can create complex text animations that would otherwise require painstaking keyframing. Most text animations require you to animate only the selector values—not the property values. Consequently, text animators use a small number of keyframes even for complex animations.

For more about text animator groups, see After Effects Help.

Then, expand the layer to see its Text property group name. Then, press Enter or Return again to accept the new name. Each animator group includes a default range selector. Range selectors constrain the animation to particular letters in the text layer.

You can add additional selectors to an animator group, or apply multiple animator properties to the same range selector. Now, any properties that you animate with the Skew Animator will only affect the middle name that you selected Bender, here.

Skewing the range of text Now, make that middle name shake and shimmy by setting Skew keyframes. The other names in the line of text remain steady. After Effects adds another keyframe. This adds an Easy Ease to all keyframes. To remove only one animator, select its name in the Timeline panel and press Delete. Cleaning up the path animation Currently, the words directed by fade in and out as they wind along the Pipes path preset. Now, directed by will be visible throughout the composition.

Because the middle keyframe now the last keyframe is set to Easy Ease, the words directed by come gently to rest above the lotus flower. You also need to adjust the path shape so that it starts and ends off the screen. Drag it far enough off that the dragonfly will not be visible. Depending on how far you move the beginning and ending control points of the path, you may need to change the First Margin value again to reposition the text.

After Effects copies the Position keyframes from the directed by layer to the dragonfly layer. Now, the dragonfly is facing forward as it flies. After Effects adds a keyframe, and the text moves behind the dragonfly.

The words follow the dragonfly and come to rest above your name, while the dragonfly continues to fly along the path and off the screen. Adding motion blur Motion blur is the blur that occurs as an object moves.

Now, apply motion blur to the layers in the credits composition. Then, click the Enable Motion Blur button at the top of the Timeline panel so that you can see the motion blur in the Composition panel. After Effects exports the project.

This process may take a while, depending on the size of the project. After Effects displays a progress bar as it exports the composition. Give yourself a pat on the back.

You just completed some hard-core text animations. Review answers 1 In many ways, text layers are just like any other layer in After Effects. However, text layers are like shape layers in that you cannot open them in their own Layer panels, and that they are synthetic layers that consist entirely of vector graphics.

Adobe After Effects CS4 Classroom in a Book, Book/DVD Package

You can animate the text in a text layer using special text animator properties and selectors. Navigate to folders containing categories of text animation presets, such as Blurs or Paths, and watch samples in the Preview panel. Then, double-click a preset to add it to the currently selected layer in the After Effects Timeline panel. When a layer is made a parent to another layer, the other layer is called the child layer. Creating a parenting relationship between layers synchronizes the changes in the parent layer with corresponding transformation values of the child layers.

Text animator groups contain one or more selectors. Selectors are like masks: Shape layers are created automatically when you draw a shape with any of the drawing tools. You can customize and transform an individual shape or its entire layer to create interesting results.

In this lesson, you will use shape layers to build a dynamic background for the introduction of a reality series called DJ Quad Master. This effect performs best with video cards that support OpenGL. This lesson will take approximately an hour to complete. You can animate shapes, apply animation presets, and add Repeaters to intensify their impact. As you start After Effects, restore the default application settings. To specify 10 seconds, type The period indicates that there are no units in that position.

To specify 10 minutes, type After Effects opens the new composition in the Timeline and Composition panels. Adding a shape layer One advantage of using a shape layer, rather than a solid layer, is that you can use the Fill option to create a linear or radial gradient.

About shapes After Effects includes five shape tools: When you draw a shape directly in the Composition panel, After Effects adds a new shape layer to the composition.

You can apply stroke and fill settings to a shape, modify its path, and apply animation presets. Shape attributes are all represented in the Timeline panel, and you can animate each setting over time.

The same drawing tools can create both shapes and masks. Masks are applied to layers to hide or reveal areas of an image, while shapes have their own layers. When you select a drawing tool, you can specify whether the tool draws a shape or a mask. The shape appears in the Composition panel, and After Effects adds a shape layer named Shape Layer 1 to the Timeline panel.

Clicking the word Fill opens the Fill Options dialog box, where you can select the kind of fill, its blending mode, and its opacity. We used RGB , , We used RGB 10, 25, Now the gradient originates at the bottom of the screen and falls off near the top and edges of the composition. Press Enter or Return to accept the new layer name. The Polygon tool, in particular, gives you great flexibility. Drawing a polygon By default, the Polygon tool draws a shape using the settings of the last shape drawn with that tool.

However, by adjusting the points, position, rotation, outer radius, outer roundness, and other values, you can dramatically alter the initial shape. Select the Solid Color icon , and then click OK. We used RGB , , 0. Click OK. Twisting a shape The Twist path operation rotates a path more sharply in the center than at the edges. Positive values twist clockwise; negative values twist counterclockwise. There are The Repeater creates four copies of the shape, overlapping each other. Repeater 1. In this case, you want to affect only the Repeater.

The first value represents the x axis. To move the shapes closer together, use a smaller value for the x axis; to move them farther apart, use a larger value. Now the shapes are farther apart. To move all of the shapes, you need to move the entire shape layer. Repeater 1 properties. Change the Position to , The shape layer is now in the upper-left corner of the composition.

Because the horizontal and vertical values are linked, both values change when you change one. Repeater 2. Rotating shapes The suns should rotate on the background. Polystar 1. This setting causes the shape to rotate three times in 10 seconds. You want the character in the main video file to be the focus of attention. Instead of changing the opacity for the entire layer, you could change the opacity for the original shape.

The value would apply to all the duplicates as well. Press Enter or Return again to accept the new name. Creating stars The Star tool is similar to the Polygon tool. A polygon is simply a star without an Inner Radius or Inner Roundness property; both tools create shapes called polystars.

To draw a star, drag the Star tool in the Composition panel. We used RGB 75, , After Effects adds a shape layer named Shape Layer 1 to the Timeline panel. The radius values change the shape of the star. If you have trouble seeing the star in front of the background, you can temporarily hide the Suns and Background layers by clicking their visibility icons in the Timeline panel. Polystar 1 properties. Negative values pucker a shape; positive values bloat it.

This star shape will go well in the background. Now you can duplicate and animate it. Duplicating shapes You want to have multiple stars in slightly different sizes rotating around the screen. Now there are six stars on the screen.

When you change the Transform properties for the Repeater, the change is multiplied by the number of copies created. For example, if there are 10 copies of a shape and you change the Rotation value to 10 degrees, the first shape retains the original value of 0, the second shape rotates 10 degrees, the third shape rotates 20 degrees, and so on. The same concept applies to each of the Transform properties.

In this project, the anchor point for the layer differs from the position of the shapes, so the chain of stars begins to wrap in on itself. Each star is more transparent than the one before it. Each duplicate star will be smaller than the one before it. Now you want to animate each star to rotate around its own axis. After you confirm that everything is rotating, collapse the layer. Incorporating video and audio layers The background is in place.

Now you can add the video of the DJ and the audio track that accompanies it. Adding audio and video files You imported files at the beginning of the lesson.

The DJ.

You can place an audio layer anywhere in the layer stack, but moving it to the bottom keeps it out of the way while you work. Trimming the work area The DJ. If you rendered this movie now, the DJ would disappear halfway through the movie. Then, only the first 5 seconds will render. You can drag the current-time indicator in the Timeline panel or click the Current Time box and then type in the Go To Time dialog box.

Alternatively, if you do not want to keep the last five seconds of the composition, you can change the duration of the composition to 5 seconds. Applying a Cartoon effect After Effects includes a new Cartoon effect, which makes it easy to create a stylized look to your video, so that it looks more like a cartoon.

Since this intro for the DJ Quad Master reality series is very different from other reality series, the Cartoon effect will work perfectly here. The Cartoon effect performs best on systems with a video card that supports OpenGL. The Cartoon effect performs three operations on a layer. First, it smooths the layer, removing a great deal of detail. Therefore, it works best on video footage rather than a graphic layer, such as the background in this project.

Next, the Cartoon effect emphasizes the edges of shapes, based on their brightness values. Finally, it simplifies the color in the layer. These settings control how much detail is removed and how it is smoothed. Higher values remove more detail. These settings determine how color is reduced and how gradients are preserved.

The layer becomes black and white temporarily. This makes the image even more cartoonish. The only thing missing is the title to identify the program. Creating a self-animating shape Wiggle Paths turns a standard rectangle into a series of jagged peaks and valleys.

Because the operation is self-animating, you only need to change a few properties and the entire shape will move on its own. Then change the Size to and the Detail to Adding text All you need to do is add the title of the program. In the Character panel, select a sans serif font, such as Arial Black, and specify a size of 60 pixels. Adobe Bridge opens, displaying the animation presets that are available.

After Effects applies the preset to the selected text. Press the spacebar to stop the preview. With the Cartoon effect in place, the RAM preview may take longer than usual to render and begin playing.

To use the Brainstorm feature, select the layer or properties you want to include, and then click the Brainstorm icon. The Brainstorm dialog box displays multiple variations of your image, based on randomized settings. You can save one or more of the variants, apply one to a composition, or redo the Brainstorm operation. The Brainstorm feature works especially well with animation presets. Selecting You can isolate one or more layers for animating, previewing, or rendering by soloing.

Soloing excludes all other layers of the same type from the Composition panel. You can also use the Brainstorm feature to experiment with one or more specific properties. To return to a previous variation, click the Back button.

Using Adobe® After Effects® CS4

To see all the variants in action, click the Play button. The feature randomizes the properties and displays variants. When you select a group of layers to create an Encore button, After Effects precomposes the layers and names the precomposition according to the standards Encore uses for naming buttons. After Effects includes template projects with entire DVD menus for you to use as the basis of your own menus. Name the button to match its function, such as Play Movie or Scene Selection.

Then, use the menus to assign up to three highlight layers and one video thumbnail layer. Review answers 1 A shape layer is simply a layer that contains a vector graphic called a shape. To create a shape layer, draw a shape directly in the Composition panel using any of the drawing tools or the Pen tool.

The Repeater path operation creates copies of all paths, strokes, and fills included in the layer. The feature makes it possible to explore numerous possibilities quickly and easily, and to save or apply them with a single click. In this lesson, you will work on a more complex animation project. The project in this lesson is an animated portfolio for a professional illustrator that can be delivered on a CD or on the web, and it is meant to be a useful, real-world self-promotion.

In fact, he has prepared an After Effects project that already contains this layered Photoshop file, as well as the video and audio clips that you will need later in the lesson. You will animate an illustration of the artist driving a car on a city street.

This is a complex animation. You will start by animating the background and some objects so that the virtual camera appears to move from left to right across the scene. Next, you will animate some passing traffic and buildings to add interest to the background.

Finally, you will animate the slide show of the artwork on the easel. You may delete the sample movie from your hard disk if you have limited storage space. To see the 7 If necessary, double-click the CarRide composition in the Project panel to open it in the Composition and Timeline panels. Now, you will use it to synchronize the movement of the objects in three layers—the leaves, full skyline, and the FG foreground layers—with the BG background layer of the animation. Setting up parenting First, set up the parent-child relationship between the relevant layers in the Timeline panel.

BG from the pop-up menu. This establishes the three selected layers as child layers to the parent layer, which is layer 8, named BG the background. This, in turn, will animate the child layers in the same way.

This moves the background layer off to the left side of the scene, as if the camera had been moved. Then, type the desired time without punctuation as in for After Effects automatically creates a second keyframe and shows you the motion path of the animation in the Composition panel. The background now moves across the composition, and because the leaves, full skyline, and FG layers are child layers to the BG parent layer, they also move horizontally from the same starting position.

You will animate it next. The bee is not visible at 0: Then, click the stopwatch icon to create a Position keyframe. Trimming hiding footage at the beginning or end of a layer lets you change which frames are first or last in the composition. The first frame to appear is called the In point, and the last frame is called the Out point. You can trim footage by changing the In and Out points in the Layer panel or the Timeline panel, depending on what you want to change. You can also drag the right side of the layer duration bar to change the Out point.

Previewing the animation A quick manual preview will show you how the elements in the scenery move. The animation of the background, leaves, bee, foreground objects, and the objects in the skyline makes it appear as if a camera is panning across the scene.

The red car is on the Artist layer. To edit the anchor point of the Artist layer, you need to work on the Artist layer in the Layer panel. CarRide tab to view the CarRide composition. This is a temporary position that lets you see the car onscreen while you mask the driver into place, which is your next task. Then, you will animate the car so that it drives across the composition. With the car positioned onscreen, you can add the driver. You will use a custom animation preset to create a mask from a shape layer.

After Effects creates a new composition named GordonsHead based on the settings of the movie, and it opens the new composition in the Timeline and Composition panels. You need to fix that now. After Effects adds a new shape layer to the composition.

Adobe Bridge opens. You can close Adobe Bridge or leave it open to use later in this lesson. Constraining a layer with an alpha matte There are many ways to mask layers in After Effects. For example, you can use shape tools or the Pen tool to draw a mask. Artist from the Parent menu. When you animate the Position property, After Effects displays the movement as a motion path. You can create a motion path for the position of the layer or for the anchor point of a layer.

A position motion path appears in the Composition panel; an anchor-point motion path appears in the Layer panel. The motion path appears as a sequence of dots in which each dot marks the position of the layer at each frame. A box in the path marks the position of a keyframe. Dots close together indicate a slower speed; dots farther apart indicate a faster speed. Then, click the stopwatch to set a Scale keyframe.

After Effects adds a keyframe, and now the car pops a wheelie. The blur will be visible as the car drives offscreen, and it will be visible for the flying bee as well, because you applied motion blur to that layer earlier in the lesson.

Previewing your work Now that the keyframes are set for the moving car, preview the entire clip and make sure that the driver is framed to create a pleasant composition. Animating the passing traffic Perhaps you noticed in the preview you just watched that the blue car is tailgating the artist in his red hot rod. The blue car is actually on a precomposed layer that also contains a yellow car.

Remember, a precomposition is simply a layer with nested layers in it. In this example, the vehicles layer contains one nested layer with a blue car and one nested layer with a yellow car. Press Shift after you start to drag to constrain the movement vertically. Animating the buildings Animated buildings? You bet. Notice that this composition has three layers: Press Shift after you start to drag to constrain the horizontal axis. Naturally jumping buildings? Aw, come on. This is fun.

This adjusts the speed of change as the motion approaches and retreats from the keyframe. Do the same for the skyline layer. This applies motion blur to all of the nested layers. Take a look at the animation from the beginning.

The effect will animate some radio waves emitting from the Transamerica Pyramid building. Adding a solid-color layer You need to apply the radio wave effect on its own layer, which will be a solid-color layer.

About solid-color layers You can create solid images of any color or size up to 30, x 30, pixels in After Effects. After Effects treats solids as it does any other footage item: You can modify the mask, transform properties, and apply effects to a solid layer.

If you change settings for a solid that is used by more than one layer, you can apply the changes to all layers that use the solid or to only the single occurrence of the solid. Use solid layers to color a background or to create simple graphic images. In the Solid Settings dialog box, name the layer radio waves, and then click the Make Comp Size button.

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